
Director Michael Glawogger’s epic-scale documentaries pull together grand, global themes in unexpected ways. His Megacities, which played at the Festival in 1998, deconstructed modern archetypes of Big City life; in his newest film, “Workingman’s Death,” he similarly deconstructs contemporary conceptions of work - by showcasing six of the most grueling and dangerous professions he could find.
< [...] »






































